11.11.10


New website up, with more to come soon.


Available to buy now, in 3 different colourways, in store at R.Newbold in Japan, or online here.

30.9.10




I am now back in one place and have been looking over some things that happened in this summer.
Above, some screen print accidents which occurred whilst I was printing. The first I find interesting because of the way the crosswords/grids of the puzzles page interacts with my print to encourage the architectural elements. I like that the frustrating rushed moments in the print room can later become the opposite. It reminds me that processes out of one's control are vital.
Similarly in the second I can see how colour could be introduced into these prints in a way I hadn't considered, and this is something I may develop as I work on a riso print edition for Landfill Editions.

In Berlin earlier this summer I went to Boxhagener Platz Fleamarket and after innocently poking my nose into a box, found myself being sold the following by an elderly german woman who wouldn't take nein danke for an answer. However I found these old woven coasters very beautiful and wondered what I could do with it all, so I had a go at weaving in a different way, the experiments are a little crude in their execution but it led me to some observations that I think I wouldn't have got at for a long time if I hadn't done it.



And today I began my weaving course at Greenwich Community College which also teaches spinning and tapestry, it also looks like there could be the opportunity to do rug weaving too, so I am excited about everything I will learn.

Almost 2 years ago I sold this design to Fenchurch to use as a tshirt graphic, now it is released.Available here.
Also here is the jacket for which my all over print geometric rooftop pattern was used as a jacket lining. But this is the first and last you'll see of it, as the big bosses in Japan decided the cut of the jacket was not right. But it was great to see the application of my work.



Over the summer I read some really good books, but I'd especially like to recommend The Thinking Hand by Juhani Pallasmaa. It looks at things from an architectural point of view but I think it has so many interesting ideas that relates to any artist, craftsperson, designer etc. I wish it had been on my reading list at university so I would especially recommend it to students or those involved in education.

'Knowledge becomes useful for a creative endeavour when it is forgotten after it has turned into an ingredient of one's body and personality. The moment of looking at the world or at a specific task as if neither had been encountered before, that is the creative instant and frame of mind'.

30.8.10



Above is my first complete weaving which measures roughly 35 x 37 cm and uses a mixture of alpaca wool, silk, mohair, and cotton and wool blends. At this early stage I have not been consciously considering design and composition but am focusing on the technical aspects of the process; improving the selvedges, tension and the tapestry technique as well as float patterns. The design is heavily Bauhaus inspired as I have been immersing myself lately in the work of the Bauhaus weavers, whose work I find beautiful as well as their intentions. Perhaps in small sections I am beginning to relate the process to my drawing, but at the moment I am really just interested in understanding the process and developing a sensitivity to the materials.





In other news I am on holiday from 30th August - 20th September so apologies if I do not respond to any emails in this time but there will be no internet where I am going. On the 18th September The Poundshop will be opening its doors again with another round of fine products, it is a great opportunity to buy some beautiful, considered and value-for-money pieces.

28.7.10




I have designed and printed a new poster that is a pair with my previous berlin rooftops inspired repeat design using the same template. These posters are markers for me of 6 months in Berlin and now 6 months in London. Screen printed in black and red as multiples.

I would also like to tell you about a screen print edition that early griffin have produced in their 5th series of one of my drawings from my book Rain day. Although in the book this spread was in black and white, it is fitting for the narrative that it has elements of colour, so I think this screen print is a nice addition to the book. Thank you to Early griffin, who have been really good to work with. Go here if you would like to find out more




21.7.10








I've been working on a print edition for the exhibition 'Turn up the colour' taking place at the end of this month at Analogue Books in Edinburgh. Over the past few months I have been making patterned surfaces on cut up paper and investigating the different textures that can be created through the limitations of mono colour and lines intersecting. This is the first composition I have made from these shapes, but I hope to create a whole series.
The final outcome for the exhibition is a 5 colour edition of 9 screenprints which I have also embossed into. Above you can see me turning up the colour, ho ho.. and below are some details of the print and the processes involved.






TURN UP THE COLOUR
ANALOGUE BOOKS
102 WEST BOW, EDINBURGH
SAT 31st JULY - 30th AUGUST
PV 30th JULY 7-9

14.7.10




A new paper created for The Poundshop, which returns this saturday the 17th July at the Shoreditch festival.